This is one of my favorite images from the first leg of our trip around New Zealand. After scouting the area for a spot for some sunset photos I settled on this amazing rocky outcrop on the Kaikoura Peninsula that looks up to some snow covered mountains right by the coast. The light wasn’t that spectacular on the mountains so I turned to the rocks by my feet. The area had some intriguing shapes and textures defined by the warm evening light.

To get the smooth and silky look of the water I set up my camera on my tripod with its legs splayed over the jagered rocks and set up my composition. In order to get the slowest shutter speed possible, I used a neutral density filter to absorb some light and combined with an aperture of f10 to get some good depth of field and it resulted in a shutter speed of 6seconds. To make sure I got the maximum sharpness on the rocks in the photo I used a cable release and the mirror lock up function in the camera to make sure the camera didn’t vibrate one bit. I was happy with the results on the LCD screen so I shot little else and headed back to the car to put the heater on full blast!

Post processing back home was pretty simple; just the usual natural enhancements and sharpening just in Adobe Lightroom (no Photoshop).

I encourage some feedback in the comments, and if I get enough interest I’ll be releasing it as a very limited edition print.

The last minute of light taken on the Grand Canyon from the South Rim

This particular photo is very precious to my fiance and myself because it is the exact spot where I proposed to her just two minutes later. Only a few minutes before that, we had a crowd of people behind as we sat behind my camera on the tripod waiting for the sun to go down, but luckily not knowing the best light comes when the sun actually goes beyond the horizon, most of them left us alone for me to pop the question. 

Enough of that, how was the picture taken!? This is a series of 5 images taken on a panoramic head on my carbon fibre travel tripod stitched together in Photoshop CS4. 3 images where used in the final image as overlaps where too great, so I didn’t need them all. I first attempted this pano stitch over a year ago on my old PC with Photoshop CS3 and after numerous crashes, the blend was terribly obvious and I chose to abandon the project. After all the post processing I enlarged the file so I could print it at a massive 60×30 inches, not a normal size but I split the file into three TIFs to have printed on Metallic Kodak Endura Paper and mounted on 3 pieces of black edged craftwood. Even with my new iMac with 4GB ram it struggled to handle the 2GB PSD file. The three saved TIFs totalled about 450MB and then they were uploaded to my lab. 

June Catch Up

• We attended the PMA Digital Life Expo on the weekend at the MECC in Melbourne and boy, did I have a great time. I took numerous free training seminars on the Friday night and all day Saturday. I saw the huge range of photo-book and print suppliers and numerous retailers and wholesalers from the photographic industry. I also got to meet and listen to talks by some of my Australian Photographer idols, including having a posing demonstration applied to Belinda and I by world famous wedding photographer Jerry Ghionis. He borrowed Belinda as a model bride not once, not twice, but three times. It was quite a laugh and I learnt heaps.
• Due to PMA I will be changing my Photo-book supplier again, I got to see every supplier’s samples in person and got to talk to some representatives. Some suppliers were top of the tree in terms of quality, but with that comes price. I found one supplier that is only 5 minutes drive from home that has a great range of products and their quality is great. I signed up as a wholesale supplier on the spot as their prices were very competitive even compared to my previous supplier which offered mediochre quality. I will have a special launch price for previous wedding clients when the books are ranged.
• I also found a new printing technology that bonds photographic ink directly to metal. This means prints will pretty much last forever, are water proof, scratch proof and mould resistant. This enable the buyer to hang up prints in high impact areas like bathrooms, kitchens, garages, pool or spa areas and outdoors if you would want. The quality level is outstanding, the company is based in Victoria and the staff are fantastic. I’m excited to give them a go to add a new product to my range of printed products. I will drop my canvas and foam mounted products to make room for them.
• Of course there is a new price list revision coming this week to accommodate the range changes.
• The Annual Scott Kelby World Wide Photo Walk has been announced, full details here.
• I am still taking registrations of interest for Digital SLR Camera training, so far I have at least 3 interested, I just need at least another 5 to make it worth while for me to go ahead with. Email me from the contact page to submit your details. I am investigating venues to hold the event and planning for a survey of participants is in the works.

On my usual trip down to Inverloch for Christmas I went to see one of the most photographed icons in the area, the Eagle’s Nest on Cape Paterson – Inverloch Rd, Inverloch, Victoria. It’s only a short walk from the car to view it from the look out and about a couple of hundred meters on foot to the beach. You do have to have good shoes to access the point as it is very rocky. Check the tidal patterns before attempting to get to the point as there is always a risk of being stranded.

I only took a few frames that evening as the sunset went very quickly and of course the best light was 10-15 minutes after the sun went down. The slow shutter speed captured the dusk glow on the rocks.

Shot with 2Stop Neutral Density (ND) graduated and UV filter. My Polarizer filter was all scuffed from the Kata filter pouch and I couldn’t clean it in time for the light show.